The effectiveness of design relations in the implementation of mural paintings for the facade of the Departments of Family Education and Art Education
Main Article Content
Abstract
The current study, which formed its problem based on the question, what is the effectiveness of the design relations in the implementation of the mural panel of the Department of Family Education and Artistic Professions, and the goal of the research included (recognizing the effectiveness of the design relations in implementing the two panels in the family education and art education departments) As for the second chapter, it consists of three sections; In the first topic, the concept of design relations in mural art, the second topic, the design relations, and the third, the nature of mural art, The third chapter also included the research procedures represented by analyzing the two artworks according to the design relations to determine the extent of the effectiveness of these relations. and we came out with the results that answered the question about the research problem, which showed the effectiveness of the design relations in the mural painting and the two works came out as two building units. In its fourth chapter, the researcher also suggested that a study similar to the current study should be conducted, except that it discusses the role of mural art in decorating university yards. The researcher recommended the necessity of making mural arts within the plans of modern buildings because of their distinctive role, and the research ends with the index of sources and appendices.
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
Ismail Shawky, (Art and Design, Faculty of Art Education), Helwan University, Nasr City, Dar Al-Mamoun for printing, Egypt, Cairo, 1999.
Al-Jubouri, Sattar Hammadi, (Color relations and their impact on the movement of printed surfaces), a doctoral thesis, unpublished, University of Baghdad, College of Fine Arts, 1997.
Hamouda, Abdel Aziz, (Aesthetics and Modern Criticism), Anglo-Egyptian Library, Cairo, B.T.
Al-Khoury Moussa Deeb, (Mosaic is an ancient and renewed art,) 2014.
Al-Rubaie Abbas Jassim Hammoud, (Shape, Movement and Resulting Relationships in Two-Dimensional Design Processes), Ph.D. thesis, unpublished, University of Baghdad, College of Fine Arts, Print Design, 1996.
Scott, Robert Gillam, (The Foundations of Design), translated by Abdel-Baqi Mohamed Ibrahim, Franklin Printing Institution, Egypt's Renaissance House, Cairo, 1980.
Shaker. , Abdul Hamid, (Aesthetic preference, a study of the psychology of artistic taste), Al-Watan Press, Kuwait, 2001.
Sabah Fakhruddin. Abdul Qader, (What is the relationship between plastic arts and contemporary architecture in Iraq, an analytical study of the residential role), doctoral thesis, Philosophy in Fine Arts unpublished, University of Baghdad, College of Fine Arts, 2005.
El-Sawy, Ahmed Hussein, (printing and directing newspapers), National House for Printing and Publishing, Cairo 1965.
Abbo. Farag, (The Science of the Elements of Art), Part 2, Milan, Italy, Dolphin Publishing House, 1982.
Al-Amiri, Aseel Mahdi Rashid, (Using the designs used in the Iraqi handicraft folklore, pottery, brass, rugs in handicrafts), an unpublished master’s thesis, University of Baghdad, College of Fine Arts, 1996.
Attia, Mohsen Muhammad, (Designer and Audience), Dar Al-Fikr Al-Arabi, Cairo, 2001.
Frederick Meiner, (Painting is how we taste the elements of composition), translated by Hadi Al-Tai, House of Cultural Affairs General, Baghdad, 1993.
Fouad, Ahmed, (drawing technology), a systematic book, College of Fine Arts.
Muhammad, The Objective Approach in Literary Flame, Arab Writers Union. Damascus, 1999
Al-Ansari, Ali Rada’ah (Colors in the Media), Al-Taba’a Magazine, Fifth Year, Issues (3,4), Beirut, serial 2, 1965.