The Feminist Movement between Formal Manifestations and Representations of Gender in Contemporary Art

Authors

  • Dr. Nada Aaied Yousif Department of Art Education College of Basic Education Al-Mustansiriya University

Keywords:

feminist movement, gender, contemporary art

Abstract

The concept of gender has become prevalent with the contemporary feminist movement and an important means of communication that motivates the demand for rights and cultural roles, which emerged from the complex and intertwined relationship between the concept of the biological body and the intellectual transformations that affected its contexts. The body is a vessel that carries the human spirit and a symbol of standards and taboos. It reveals thorny and complex beliefs and concepts that are difficult to penetrate, and reflects the positions of societies that are constantly dialectical towards breaching cautious borders around the body. Due to its importance, this research came under the title “Feminist Movement between Formal Manifestations and Gender Representations in Contemporary Art”. It is concerned with confronting male dominance, highlighting the important role of female artists and their creative works in history, and cooperating with public efforts to support women. The research is concerned with revealing the feminist movement and gender representations in contemporary painting. The descriptive approach is adopted in analyzing research samples and adopting research tools based on what was stated in the theoretical framework.

References

1. Abidin, Adel, 2014.https://adelabidin.com/works/cover-up

2. Afaya, Muhammad Nour al-Din: 1988, Identity and Difference in Women, Writing, Margin,

Dar Africa East, Morocco.

3. Akdemir, Nihan, 2017, Gender and Its Representation in Contemporary Arts, European

Journal of Multidisciplinary Studies, September-December, Volume 2, Issue 7.

4. Alal, Nabil: 2019, Introduction to the Concept of Gender and Its Relationship to Feminism,

Al-Hewar Al-Mutamadin Website.

5. Alexandra Balfour and Pitchaya Sudbanthad: Marina Abramovic, interviewed with

Abramovic at the Sean Kelly gallery prior to her lecture at NYU. www_columbia_edu-cumuseo-2-marina.htm.

6. Al-Hayat Al-Thaqafiya Magazine: A Symposium on the Body and Philosophy, Issue 66, 1993.

7. Al-Manea, Suad Abdul Aziz: 1977, Feminist Literary Criticism in the West, Arab Magazine,

Issue 32.

8. Al-Morabit, Fatima Al-Zahra: 2006, Drawing on the Body, History and Civilization, Doroob

website.

9. Alwan, Mohamed Ali: 2006, Design Aesthetics in Postmodern Drawings, Unpublished PhD

Thesis, Faculty of Fine Arts, University of Babylon.

10. Amhaz, Mahmoud: 1981, Contemporary Visual Art, Dar Al-Muthallath, Beirut.

11. Atiya, Mohsen Mohamed: 2001, Art Criticism, From Classicism to the Postmodern Era,

Faculty of Art Education, Helwan University.

Downloads

Published

2025-08-19

Issue

Section

Articles

How to Cite

The Feminist Movement between Formal Manifestations and Representations of Gender in Contemporary Art. (2025). The Peerian Journal, 45, 34-47. https://peerianjournal.com/index.php/tpj/article/view/1187